In the movements of their mind, as in the vibrations of their daily life, and in the mystical flights of their spirit no less, the Indians looked upon the human body, as they looked upon the material world, with curiosity, with longing, with fear, with regret. At no time were they indifferent to it. The human body remained on abiding concern, with this recognition, however, that man’s being is not limited to his physicality. In all the conflicting expressions of his humanity there runs a connecting truth: nothing that is natural and human need be despised, much less negated, but everything that is natural and human is to be transcended for in self-transcendence is man fulfilled.
Indian art, like the systems of Indian philosophy, was rooted in that truth, and so were Indian music and dance. Together they evolved as related expressions of man’s humanity, symbolized by a tree inverted, whose leaves and branches and fruits are spread upon earth, and its roots in the cosmic space.
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